Month: November 2018

Quiet Space — #70 — The Licence To Interpret Dreams

‘The License to Interpret Dreams’, is an intensely focussed dreamworld produced by Antonymes aka Ian Hazeldine. his music emerges from the adjustments and erasures where music expresses nothing but itself, from the relationship between continuity and repetition rather than of contract and interplay. On top of that he is an absolute top bloke. Our feature album for this episode first became available in 2010; it didn’t really sound like it belonged in that year, at the time or now, too ancient seeming, too abstract, too intimate, too damned heart breaking! This edition features some stellar musicians reinterpreting Antonymes dreams. Essential.

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1/2/3/4 — #75 — From Ashfield to Nashville

Paul Andrews has been writing great songs for many years now, initially as a part of Lazy Susan and in more recent years with his solo project, Family Fold. Paul joins us to chat about working with Nashville producer/mult-instrumentalist Brad Jones on his recent ripper release, Ashfield Skyline and about his song writing technique. As well, sublime folk from UK ensemble The Willows, soulful pop from NYC’s 79.5, plus essential new releases from Gregory Alan Isakov, Grand Salvo and The Other Years.

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1/2/3/4 — #74 — Outer Songs

I’m currently obsessively listening to GADADU’s album Outer Song. With a kaleidoscopic sense of time and texture, GADADU weaves odd-meter grooves, synth-spiked orchestral arrangements, and unorthodox song forms into a dreamy, soulful sound. As a big fan of Melbourne’s Tulalah, I have found a kindred spirit with this release. Stunning. As well more soulful grooves from Chelsea Wilson, Cookin’ With Three Burners abd Part Time.

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Quiet Space — #69 — Maybe Sometimes She Haunts

An excellent return by one of my favourite Australian electronic artists, Broken Chip. Maybe Sometimes She Haunts is inspired by long afternoons and transitions, and created amid the amazing landscapes of the Blue Mountains. We feature this new release on the excellent Flaming Pines label on this episode plus some of Marty’s older works as well.

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