Author: pimpod

1/2/3/4 — #256 — Harry Cook and All Flaws

I’ve been patiently waiting for the debut EP from Harry Cook, (his gorgeous track All Flaws with vocalist/composer Hannah Cameron a real favourite of mine last year) to arrive and it’s finally here. Five quite diverse tracks that leaves a gentle, intimate impression. Harry Cook draws on his diverse experience as a classical pianist, jazz improviser, and contemporary sessional musician for The Teskey Brothers, WILSN and more to tell evocative stories through song. He joins me for a chat on this edition of 1-2-3-4. As well, fantastic tracks from Minor Gold, Josh Rennie-Hynes, Stephen Becker, Blackbirds FC and much more.

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Quiet Space — #221 — Careful Now

James Murray is an incredible composer and producer of slow minimal electronic music. He returns with his first solo album in three years on the Home Normal imprint. ‘Careful Now’ is a radiant, soft-focused work of wide-eyed romanticism and childlike innocence. It is an album of heartfelt humanity and purity of spirit that can indeed ‘draw light’ into our very being as the final track attests.

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1/2/3/4 — #251 — Light Moving Time

Maya Bon, the singer-songwriter behind Hudson, New York’s Babehoven, views light as one of life’s few fundamental truths. Babehoven’s first full-length album Light Moving Time revolves around Bon’s view of life as a confusing, jarring, and kaleidoscopic experience filled with contradictions, loss, and change. Bon has built a solid partnership with her musical collaborator and producer Ryan Albert over the last few years and the result is a stunning debut album. Highly Recommended.

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1/2/3/4 — #250 — All Blue

ALL BLUE is the debut solo album by Julianna Riolino and marks the arrival of a major new songwriter, singer, and performer into the spotlight. She’s been called the “white-hot-lunged vocalist” best known for her increasingly prominent role as a member of Daniel Romano’s Outfit, Highly Recommended.

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Quiet Space — #219 — Excavation Patterns

Alex Carpenter is an Australian-born artist and researcher living in New York City. In the words of Luke Altman, curator of the de la Catessan label, “”As Excavation Patterns creeps and smothers, winds and bonds, it takes the shape of its ancient host, the Symphony. Excavation Patterns itself isn’t a symphony, but it is draped over the Symphony, lovingly, like a verdant shroud.” This is an incredible work that is highly recommended.

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