Lori Scacco is a composer and producer based in New York City. Using micro-sound, melody, resonance, and analogue and digital processing, she creates liminal, elemental music through synthesis. Her latest work for the Longform Editions label is more than about deep listening, it became about time – the way music reveals itself with duration; a pathway to opening up; an illumination.
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In this episode we feature some short sharp punchy indie rock, starting with Bad Bad Hats, a trio from Minneapolis, Minnesota. Their fourth album Walkman is chock full of memorable melodies and sweet harmonies. Essential listening!
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Influenced by European film and library music, Maston is a composer from Los Angeles who relocated to Europe a couple of years ago. When he encountered Swiss ensemble, LÉclair, he knew he had found the missing link to his dream to create sounds in the spirit of Ennio Morricone, Sven Libaek, & Piero Umiliani. The result is the colorful and kinetic album Souvenir.
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Sit back, relax, this is The Quiet Space….
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Melbourne’s Ayleen O’Hanlon is back with a bold new single, Straight. She’s been a very active member of the alt-country/folk scene, released a cracking album in 2015 (Blend and Spill), but a double-dose of heartbreak, burnout and a pandemic forced her to stop and re-evaluate her direction. Her sound has a darker pop twist and is highly recommended. She’s just one of the strong women making music in this episode with brilliant new tracks from Mel Parsons, Piper Butcher and Caroline Marie Brooks.
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