1/2/3/4 — #01 — New Beginnings

Featuring the sweeping orchestral sounds of Cam Butler, driving Tunisian rock from Bargou 8, dreamy electronic pop from Glider Pilots and gorgeous experimental chamber folk from Anna & Elizabeth.


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1/2/3/4 — #02 — Close Your Eyes and See

The return of the much loved Australian outfit Blackeyed Susans, the ethereal vocals of Unnveig Aas from Norway, Horsebeach from Manchester who channel eighties jangle pop and the samba rock of Vieux Farka Toure.



1/2/3/4 — #245 — Desert Dream Romance

What started out as studio jams in a smoky basement in Berlin evolved into a world-wide-touring three headed music-making love monster, called Buttering Trio, based in Tel Aviv. They have just issued their excellent new release, Foursome. Using heavy beats, fat bass lines and sweet yet poignant lyrics, they try to bring some peace in a troubled region.

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Quiet Space — #213 — Cyanotype

A wonderful new release from Fossil Hunting Collective, aka Jamie Jones, a sound artist/musician from Guelph in Canada. ‘Cyanotype’ was made primarily, via the beautiful surprises thrown out of various guitar pedals along with re-amped loops played back through old cassette recorders. It’s in focus on this episode of the Quiet Space alongside Jamie’s other releases as well as his collaboration with Brad Deschamps (anthene) as Still Harbors and (ph)authers (with Hymns57). It’s come out on the excellent Whitelabrecs label.

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1/2/3/4 — #244 — Sean Thompson’s Weird Ears

Notable Nashville guitar slinger Sean Thompson has released his first solo album, after being a part of Promised Land Sound and lending his skills to the likes of Curtis Harding and Erin Rae. Taking equal inspiration from the improvisational grooves of the Grateful Dead as well as the craft of songwriters like JJ Cale & Joni Mitchell, Thompson’s songwriting debut marks the arrival of a unique voice grounded by wide-reaching, generous ears.

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