Featuring the excellent new release from Australian instrumental “supergroup” Tangents, who’s latest release New Bodies is gaining a lot of attention, fantastic new releases from Villagers, Virginia Wing and we catch up with Lucy Wise who performs for us in session.
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Based out of Berlin, Germany, electronic music composer and perfomer Stefan Paul Goetsch AKA Hainbach, creates shifting audio landscapes THE WIRE called “One hell of a trip” We feature his latest collection, a six track suite of other worldly beauty. “Songs For Coco” utilises the unique Cocoquantus effects system designed by Ciat Lombarde. The signature lo-fi cascading delays of this instrument become the signature to an utterly haunting and deeply personal album. As well, the excellent new release from Joe Talia plus Tim Coster and Hessien.
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We focus on a brilliant collection new compilation from Stadiums & Shrines and Cascine – Dreams – a double album of new ambient and experimental compositions by contemporary artists like Bing & Ruth, Kaitlyn Aurelia Smith, Gem Club and more. this collection is a journey, comprised of music, images, and text, inviting listeners to explore, interpret and contemplate.
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Yes, people are excited about the 2018 World Cup in Russia, but the goal of 1/2/3/4 is to hook you up with fantastic music! Luckily, one of those songs is the excellent ode to the Socceroos from Melbourne band Last Leaves. This jangly pop gem comes from a group that rose from the ashes of the marvellous Lucksmiths. As well, the gorgeous haunting debut release from Juliana Daugherty, an unlikely duo of two highly regarded Americana rockers in Dave Alvin and Jimmie Dale Glenmore , plus a double bouncy dose of Post-Punk from Lithics and Nylex.
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Ben Rath is an ambient multi-instrumentalist based in Manchester who has just released a wonderful new release, Anything Is Possible, on the Sound In Silence label. Ben weaves a lush sound palette with layers of grainy, drenched in reverb, synths, whistling drones, distorted warm guitars and loops of hypnotic samples.
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